David Bowie – The Best of David Bowie 1969/1974 (1997) CD
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David Bowie – The Best of David Bowie 1969/1974 (1997)
The Best of David Bowie 1969/1974 is the first volume of EMI's official David Bowie greatest hits series, released in 1997 and spanning the most celebrated and creatively fertile period of Bowie's career. The 20-track compilation covers six years of extraordinary artistic reinvention — from the cosmic folk of Space Oddity (1969) through the Ziggy Stardust glam rock peak (1972), the Aladdin Sane period (1973) and into the dystopian funk-rock of Diamond Dogs (1974). Produced across the period by Tony Visconti, Ken Scott, Gus Dudgeon and Bowie himself, these recordings document one of the most remarkable creative trajectories in rock history — a five-year run in which Bowie invented and discarded entire musical personas with a restlessness and artistic ambition that no contemporary could match. The compilation also includes All the Young Dudes — written by Bowie and given to Mott the Hoople — in Bowie's own recording. An essential collection and the definitive introduction to Bowie's classic period.
Highlights
- Life on Mars? — Widely regarded as one of the greatest songs ever written; Rick Wakeman's piano introduction, Bowie's extraordinary vocal — moving from a conversational murmur to a full-throated cry — and the song's surrealist lyric combine to create something completely unlike anything else in rock. Mick Ronson's string arrangement is one of the great orchestral moments in pop.
- Space Oddity — The song that launched Bowie's career and one of the great concept singles; Gus Dudgeon's production, the Stylophone, the countdown and Bowie's detached, melancholic vocal give the song a cinematic quality that has made it one of the most enduring and emotionally resonant recordings in British pop history.
- Ziggy Stardust — The title track of Bowie's masterpiece album and the song that defined the glam rock era; Mick Ronson's guitar riff is one of the great rock riffs, the lyric creates a complete mythological character in three minutes and the performance has a swagger and conviction that has never dated.
- Rebel Rebel — Bowie's last great glam rock single and one of his most immediately joyful recordings; the riff is irresistible, the lyric is a celebration of gender fluidity and self-invention, and the performance captures Bowie at his most playful and accessible without sacrificing an ounce of his artistic identity.
- Changes — The song that became Bowie's artistic manifesto; a piano-driven, melodically rich track with a lyric that articulates his philosophy of constant reinvention with complete clarity and conviction. Its opening line — “Still don't know what I was waiting for” — is one of the great opening lines in rock.
CD Details
- Title: The Best of David Bowie 1969/1974
- Artist: David Bowie
- Year: 1997 (recordings 1969–1974)
- Label: EMI / Virgin
- Producer: Tony Visconti, Ken Scott, Gus Dudgeon, David Bowie
- Format: CD Compilation
- Tracks: 20
- Barcode: 724382184928
Condition
Condition: VG+/VG+ — see our Condition Grading Guide.
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